Tag Archives: 4 1/2 stars

Fringe – S04E12 – “Welcome to Westfield”

FOX's Fringe

Fringe – S04E12 – “Welcome to Westfield”

When an electromagnetic interference downs an airplane, Olivia, Peter and Walter investigate but it seems the crash is the least of their worries. Stopping in the nearby town of Westfield, the team discovers that the entire town has gone insane, some on murderous rages in an eerie Silent Hill style manner. “Welcome to Westfield” is creepy, disturbing, slightly predictable, but downright intense. This is the kind of Monster of the Week episode Fringe does best.

Score: 4 1/2 of 5


Fringe – S04E12 – “Welcome to Westfield”

Westfield, otherwise known as Silent Hill aka The Twilght Zone.

When a show gets into its fourth season it’s harder to do Monster of the Week episodes because there is so much of a long-plot going on that MotW’s come off as ill-placed filler. The smart move is to connect the MotW to the long-plot thought not make it completely reliant on it. This is what “Welcome” does.

First you have this electromagnetic disturbance which you think is going to affect the drivers, but instead a plane crashes ala LOST style. This is enough to call in the gang who immediately figure out that something Fringe-y is going on. In what is almost a 360 move, Peter, Olivia and Walter go to the nearby town of Westfield to get some pie on their way back to the lab.

Is there anything creepier than an empty town? I would argue probably not a lot. Add the dual personality of the restaurant owner, not to mention the dead body behind the counter and the guy bleeding to death in the freezer and you have a perfect episode of Silent Hill meets Twilight Zone.

If you’ve ever watched Silent Hill, and let’s be honest, you should, “Welcome” is very reminiscent of that style. The fluctuations, the random people walking around bloody and seemingly insane, a few lone survivors hiding out. This is the kind of episode that reminds me why Fringe fills that hole that X-Files left.

Fringe – S04E12 – “Welcome to Westfield”

Peter, Walter and Olivia help a victim of the town's temporal mergance.

Of course when Olivia starts having original Olivia’s memories we know exactly what is happening, the two worlds are colliding. She gets the shakes but is physically fine compared to the other victims, also, her double shouldn’t have any reason to be in Westfield. But then Olivia is special, isn’t she. It comes as no surprise at the end that she suddenly acts like Peter’s Olivia but at the same time we’re almost as surprised as Peter. That’s the sign of a very well done scene.

It would have been nice to find out what happened on the Other side when this occurred but it’s not enough of an issue to push this one down at all. The constant movement and intensity of the episode is what really keeps it going.

Still no word if this will be the last season of Fringe or not, so let’s hope that if we don’t get a season five that the finale is as intense as this episode was!

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Posted by on February 20, 2012 in Television


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Castle – S04E14 – “The Blue Butterfly”

ABC's Castle

Castle – S04E14 – “The Blue Butterfly”

A man is found murdered in the remains of an old nightclub and at the center of his death, a sixty-five year old mystery. Castle is on the case, his imaginative mind dreaming up a film noir world in which those closest to him take on the visages of the past. It starts out feeling like high school dinner theatre but ends up as a hilarious trip down a classic trope which has been turned up on its head. However, “Blue Butterfly” ultimately leaves too much unanswered.

Score: 3 ½ of 5 (4 ½ if you can get past the plot holes)


Castle – S04E14 – “The Blue Butterfly”

Castle and Beckett as Jerry and Viola circa 1947

“Blue Butterfly” starts out with a tease. Castle, sporting a horrible 40s New York accent and dressed up in whatever the wardrobe dept could borrow from Boardwalk Empire, is grabbing a drink at a classic nightclub set. He turns, sees Beckett dressed with whatever could be snatched from Mad Men and he utters the line “Where have you been all my life?” Instant groan. My heart literally sank because seriously, that’s where they want to take this?

Flashing to real time, Castle and Beckett arrive in an old building, the same nightclub as it is today, and find Laney over another plain jane murdered body. Some quick exposition and the victim is Stan, an amateur treasure hunter looking for “The Blue Butterfly” with creditors on his back and nothing to show for it. Castle finds an old P.I.’s diary amongst his things and can’t help but want to explore it.

As he reads the journal the images come to life. Castle takes the role of Jerry, a P.I. from 1947 and his mom becomes his secretary. (I love Nathan to death, I really do, but that outfit did nothing for his figure.) A young woman, played by Alexis, comes in and asks for Joe’s help in finding her sister. Jerry agrees and we end up back at the beginning, Castle standing at a bar, seeing Beckett as the beautiful Viola. The scene continues from there and it’s revealed that the “Blue Butterfly” is a necklace.

Instant pop back to the real world where Castle proceeds to explain what is going on and what it all means. He promptly finishes the scene with the words, “And why am I narrating?”

Okay… this I can do.

Castle – S04E14 – “The Blue Butterfly”

The Blue Butterfly is a diamond necklace.

Taking a page from the right book, “Blue Butterfly” knows what it is and has fun with the trope, lampshading and lampooning it at every turn. Castle asks Ryan to say Irish words since he sees the detective as an Irish gangster who is Lucky Charms incarnate. The writer even accidently calls Viola, Kate, and she calls him on the fact he is imaging her in his head. It’s lots of little moments like this which really pull the episode up into 4-4 ½ territory.

However, the show leaves too many nagging questions that need to be answered:

  • What was the daughter/Alexis’ game plan? Did she expect Jerry to fall for Viola and vice versa? You can’t exactly predict that. And as soon as he mentioned a sister Viola would have known something was up like she did when he finally got around to it. Jerry came up with the go-between plan that stalled Viola finding out. Was the daughter going to set Viola up, kill her at a meet? How? Viola would never go because she knows she doesn’t have a sister, so did the daughter not know that? A quick throwaway line explanation would have been nice.
  • You’re telling me that it has been suspected for over fifty years that the necklace is in that building and no one thought to check behind the wall panels? Seriously? That would be the second place I’d look right after ripping up all the floor boards. Hello, metal detectors people!
  • As far as I could tell there was no door/hatch in the basement to get outside, only the entrance. So if Stan went down and came up with the necklace it must have been in the safe. How did it get there when Jerry stashed it in a very good hiding place and Dempsey died only months later? Why didn’t Castle go back to the alley and look, you know, just to see if the hole was there, just because he could and it’s part of the story? /headdesk

Castle has been doing a lot of this lately, focusing on the theme and forgetting that this is still a detective show. It’s really starting to get on my nerves but my parents found the episode absolutely entertaining and said I think too much into things. They are probably right… but still… I don’t remember it being this bad in the first few seasons. Rose colored glasses? I think a Castle marathon is in order. Don’t mind if I do…

The cast of ABC's Castle does film noir.

The cast of ABC's Castle does film noir.

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Posted by on February 9, 2012 in Television


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